End of October—I blurt out in an email that there’s a reading from In Pieces, an anthology of fragmentary literature by Impassio Press in the city on October 29th. I’ll be there (but not reading). Of course, no one from class shows up, it’s not that kind of group. I’m quite excited by this gathering—there’s Guy, and Jason, Audrey, Ellis, Mary, and lovely Roy, and afterwards, I collect signatures like a giddy child and drink wine and talk of fragments and connections. It’s a lovely gathering. Outside on the plaza, in a windstorm, I fall down and break my wrist.

I miss the next two classes. Halloween is just two days away, can’t really navigate, I stay home becalmed (uncalm) in an utter slump. Unable to celebrate in any way with Sam, a masked witch in a bad mood.

The next week, I’m in New York, but entertaining Geno and Michelle after the marathon. We’re eating at Pure Food and Wine, with Blair, and baby Harry. It’s a good time although I feel phenomenally stressed by the logistics of meeting people in the city and the baby and the driving and the wrist and the expense and the phone call saying I won’t be there at class and the what the hell of all of it. But I like Michelle. She tells Blair stories of the squats in London and Berlin. Geno wrangles Harry pretty well, and Sam takes him out for little walks into the rainy courtyard. We even stop for coffee (terrible) at a nondescript, nonrecommended deli (Greek joint). Returning to my car something like the sound of a loud gong, in the Gong Show, loud and deep and fatal—parking ticket, $65, I parked at 5:40 pm somewhere where I shouldn’t have parked until 6. Just suck it up.

I catch up with the next class. I think I’ve lost the thread of Duncan’s life completely. All I know is that I’m envious of his household, alive with art and poetry and avant friends, community with all its prices and its costs. I’m envious of his ego and his correspondents. Him. Levertov. How to come to terms with what is past. That was then, you see, and this is now.

I never gather Duncan. I try to read the poems assigned, I never get them. I buy some of his books, don’t think I’ll crack them. I pay $300 for this class, I’m not sure why. I pay it in installments once a month, and I get shy about my childish checks with purple swirlies on them and a Comic front. I think I should have soberer checks like a real poet.

Trying to contribute. I translate a poem of mine into Olde English. Enjoy this exercise. I’m asked to read it aloud, a fairly strugglish effort. Seems okay. Better in Olde English than it was in New. Lisa picks out phrases in our poems. Well, should I toss the rest away, enshrine that phrase? Who knows.

I learn some techniques, puzzle over leading vowels. I want craft but I don’t want it. I am interested in the other students. I’m interested in shaping the interactions. The environment is so subdued, inhibiting. I ask a lot of questions. One dominates. She seems suitably irritable for a teacher of poetry. Poetry teachers swimming daily in bad words. THere are no highlights. I observe the women’s clothes. I’m familiar with an odd fact or two, like Ian Hamilton Finlay’s death this year or fallout on the Hanford Reservation.

Somewhere I don’t bloom. People very sparing with email, commentary, keeping their vast opinions to themselves. Closetsfull of opinions, jamming in on the shelves.

One of my thematic exercises highlights the word Intimacy.

I go to Bernadette Mayer’s reading at St. Mark’s. Appreciate it. I read Winter’s Day from cover to cover on my 2nd try.

I drop Ashbery’s name a couple of times, get a small sound of acknowledgement from Lisa, but no more.

Incomprehensible.