Tag Archives: class

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Inconclusive, in conclusion.

Abusive, people under pressure.

Sometimes I can take it.

Other times I start to have a breakdown.

Sadly.

Sometimes—no, not sometimes. Why vagueness?

It’s better to be March.

It’s better to be rain and snow in March.

It’s better to be best in class.

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Reading today about a Stone Coast MFA and a Prose Poetry Conference #2 in Walpole, but it’s August 3-5 and that’s Sam’s birthday, plus $650. Still—I want to go. But really I am flailing, floundering, utterly without direction—just feel a hole inside.

Hello hole who are you I mean how are you? Drastic, raggedy, misused? Absolutely.

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Next day at work, Linda, who likes to try to be my guardian angel, asks innocently—how was my drive home last night—I stare at her for moments, at an utter loss for inspiration as far as what to say—I don’t even know if my own mind how to say how my drive home has been or if I’ve even reached home yet or ever will and can’t begin to explain why I’m driven to do things like tour New York City in a car one-handed delivering warm clothing and unwanted poetry on thankless nights where no one’s looking almost not listening no stars no shining and no stop for meals. Lisa offers to go get some negra modelo, me and Josh say yes. He has a new job, he’s a kid, he’s going to work for Wiley in Hoboken, just starting out, I say Good night Good luck we walk off in opposite directions.

Next semester—Finnegan’s Wake, Gertrude Stein, and the Cantos, oh my god, I want to take that, I can’t help it, I can’t justify it, there is no explanation, but I’ve been broken down sufficiently okay it’s insane okay I’ll cooperate I don’t believe in vengeful angels but I’ve sustained enough damage from the New York School and San Francisco Renaissance that I dare not tread toward giants of literature like that. No I won’t be jounced by Joyce, stunned by Stein, or pounded on by Ezra anymore it’s over I’ll stay here in bed contented with my diary and my jottings, what intact bones are left, sipping supplemental vitamins and breath, applying gratitude medicinally and daring any New York angel poet student policeman to come find me here in this suburban garden of post post post avant avant fragmentariantude.

So there.

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So then last week was our last session—postponed until after Thanksgiving because so many in class were going out of own or otherwise couldn’t make it and it was my first day back at work in Jersey after the long weekend and the previous week’s hiatus because of surgery on my aching wrist I had to work from home. Huh—I was cutting everything pretty close, had some goods to drop off with Blair, not urgent, just his vest, his coat, his soap—well, what if he gets COLD, he’ll need this stuff, my drive to deliver it to him got the best of me and almost hyperventilating after leaving work at 4 pm under gloomy skies I drove with one hand down into Manhattan, 87 South from Westchester over the Third Ave Bridge, onto the FDR, 23rd Street exit just like usual and then I think I’ll turn on 7th Avenue and work my way back to Union Square along 16th Street—well I turned at 5:30 pm onto a street I shouldn’t have turned onto until 7—goddammit, do I really need such pointed reminders that somehow my timing in this life is really OFF?—red lights in my rearview mirror and I get two fucking summons, one for unsafe turn and one for not seeing a sign or something like that and my heart is pounding and I’m trying to hide my broken left arm because God knows the fines for driving with a broken wrist are probably more than Astronomical, but the policeman doesn’t really seem that interested in me anyway and this too hurts my feelings, thinking a different sort of poet would have engaged him, spurred an action, wriggled out of it, into some grace at the last minute, a reprieve, but no I limped away, now afraid to drive, delivered Blair his package, followed on to class and found a place to park in Queens and participated in the small group, just Josh and Lisa (and the cats) and shared some feeble poetry from the past and made it home and paid my fines plus surcharge within 15 days—$180.

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Here are my projects—

I write a series about rivers, it feels really forced, much less interior than I’m used to.

I’m doing book design, an anthology. I feel like curling up in shame for the uneven obstreperous (bluntly) badness of this poetry and get defensive at the awes of horror over awkward typographic dumbnesses in Duncan’s Selected oh yes it is a bad book and—well, mine probably is too.

I’m writing a gigantic Hallmark card to 365 of my closest friends, a project which I never once get brave enough to mention because it’s absolutely a faux pas in circles like this to write about real people in a dumb form like “50 words,” not to mention being 50 which is also a mistake too grave to mention, so I shut up even though I secretly admire myself, if only for the year-long discipline (its roots in stubbornness).

I have a blog. Lisa acknowledges my blog on hers, kind words; we mention it once in person, then this contact sinks again into the pool of anonymity, mutual lurking. I decide I want to put more energy into my blog, I have sort of a grip on it as an aesthetic project so I post something almost every day in November, although this is quite strenuous, and sometimes, it’s only photos/fragments.

Lisa’s interest in plants helps me acknowledge that I have a yard, a garden, even a sort of love for certain specimens. I bring two plants indoors for the winter—parsley, rosemary—and plant cilantro seeds. The sage survives outside. I think of bringing Lisa some sage bundled as a gift, maybe wrapped in some embroidery floss. No thyme at the moment.

Umm…can’t get there from here. Can’t go to Naropa, can’t spend lots of money on classes when I’m 50 and Blair’s in college, can’t generate a poetic community like the Beats or the New York School springing up from the wasted garden void around me, can’t make contact, can’t begin to get excited again about an online journal project, any opportunity to publish or be published, any sights set higher than retirement sooner hopefully rather than later after I finish paying for the college education of my favorite anarchist who would never rub elbows with an institution unless the term was paid for by a foolish parent (yup that’s me).

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End of October—I blurt out in an email that there’s a reading from In Pieces, an anthology of fragmentary literature by Impassio Press in the city on October 29th. I’ll be there (but not reading). Of course, no one from class shows up, it’s not that kind of group. I’m quite excited by this gathering—there’s Guy, and Jason, Audrey, Ellis, Mary, and lovely Roy, and afterwards, I collect signatures like a giddy child and drink wine and talk of fragments and connections. It’s a lovely gathering. Outside on the plaza, in a windstorm, I fall down and break my wrist.

I miss the next two classes. Halloween is just two days away, can’t really navigate, I stay home becalmed (uncalm) in an utter slump. Unable to celebrate in any way with Sam, a masked witch in a bad mood.

The next week, I’m in New York, but entertaining Geno and Michelle after the marathon. We’re eating at Pure Food and Wine, with Blair, and baby Harry. It’s a good time although I feel phenomenally stressed by the logistics of meeting people in the city and the baby and the driving and the wrist and the expense and the phone call saying I won’t be there at class and the what the hell of all of it. But I like Michelle. She tells Blair stories of the squats in London and Berlin. Geno wrangles Harry pretty well, and Sam takes him out for little walks into the rainy courtyard. We even stop for coffee (terrible) at a nondescript, nonrecommended deli (Greek joint). Returning to my car something like the sound of a loud gong, in the Gong Show, loud and deep and fatal—parking ticket, $65, I parked at 5:40 pm somewhere where I shouldn’t have parked until 6. Just suck it up.

I catch up with the next class. I think I’ve lost the thread of Duncan’s life completely. All I know is that I’m envious of his household, alive with art and poetry and avant friends, community with all its prices and its costs. I’m envious of his ego and his correspondents. Him. Levertov. How to come to terms with what is past. That was then, you see, and this is now.

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I never gather Duncan. I try to read the poems assigned, I never get them. I buy some of his books, don’t think I’ll crack them. I pay $300 for this class, I’m not sure why. I pay it in installments once a month, and I get shy about my childish checks with purple swirlies on them and a Comic front. I think I should have soberer checks like a real poet.

Trying to contribute. I translate a poem of mine into Olde English. Enjoy this exercise. I’m asked to read it aloud, a fairly strugglish effort. Seems okay. Better in Olde English than it was in New. Lisa picks out phrases in our poems. Well, should I toss the rest away, enshrine that phrase? Who knows.

I learn some techniques, puzzle over leading vowels. I want craft but I don’t want it. I am interested in the other students. I’m interested in shaping the interactions. The environment is so subdued, inhibiting. I ask a lot of questions. One dominates. She seems suitably irritable for a teacher of poetry. Poetry teachers swimming daily in bad words. THere are no highlights. I observe the women’s clothes. I’m familiar with an odd fact or two, like Ian Hamilton Finlay’s death this year or fallout on the Hanford Reservation.

Somewhere I don’t bloom. People very sparing with email, commentary, keeping their vast opinions to themselves. Closetsfull of opinions, jamming in on the shelves.

One of my thematic exercises highlights the word Intimacy.

I go to Bernadette Mayer’s reading at St. Mark’s. Appreciate it. I read Winter’s Day from cover to cover on my 2nd try.

I drop Ashbery’s name a couple of times, get a small sound of acknowledgement from Lisa, but no more.

Incomprehensible.