What are we
what are we
what are we
waiting for?
What am I waiting for? Insinuation
explanation, manipulation, the ation nations.
What about imagination?
What are we
what are we
what are we
waiting for?
What am I waiting for? Insinuation
explanation, manipulation, the ation nations.
What about imagination?
There are no simple words.
Is there simple love, shy love?
Is there narcissism?
Is there weakness in my forearms, shaking, thunder?
Brilliance, decisions, suffering.
What is the margin?
Who is the crap, who can adapt?
Where is the freegan who is the veegan who is a vegetable.
Zucchini and pumpkin flower omelette.
Pretty sure____
Where have you been?
At the end of the day?
At the end of the week.
When is father-daughter day again?
Does she use the we the they?
Line up all my relatives. Kristin in a dream – whose voice is that? High and girlish on the phone mail. Who <u>is</u> that?
Unknowns and failure to adapt.
The lowness, lack. The this the that.
What about no articles?
No questions, no answers?
What about The Questionnaire?
woman next to me a fleshy mountain dressed in purple
next woman slim in orange, brown skin
asking questions
tentative—
I practice looking into people’s eyes
and asking questions
Question Question Question
awake enough
are you awake
Jim. Sam. Bob. Bill. What will they do?
Let me ask – how much do you know, is there compassion? What is knowledge-based compassion? What is argumentation? What is keeping quiet? To never lead you to believe that there was too much talking.
An effort of mindfulness. Velleity. Volition. The will, the right intention. Touching on these things, my bird claws grasping round the twig. The whole tree shakes. Or is this a story?
What about a CSP reunion? I am undecided, in a murky turmoil.
What else would one do, where else would one go? I am dismayed.
Well, this is a form of discovery. A forum. A process. Why do I make comparisons. She is struggling. She is struggling with the form. It is daunting. But what else is there?
Where are we going with it, what is the next step? The next next next step. The first step already taken. Words left out.
Hot page cool breeze. Birds and juice. Death in the air, creeping. Suicidal Ideation. Nothing but pleasantries, a need to scan the lines. Rustle woods, the deer step, squirrel shuffle. Peculiar disconnectedness of individuals, editors, the edited smile, the censored speech. Pileup of phrases. The litter of prepositions, the punctuation of punctuation. Texture of voices and air conditioning noises. The bands and patterns of tension. Often I ask: what are you talking about? What does it mean, the transfer function?
What is it? Questions. Answers. Paralysis. This is a point. This is a letter. This is a word. This is a story.
She is sad and discouraged, head resting in her hand. Head in hands. Objectionable behavior. Pressed into a diagram.
This is the geometry. This is the measurement of her. This is the slippery slope, the slide. This is the choppiness of commas. This is the desire to relax. This is hunting. Hunting for badgers. Hunting in puddles. Hunting under the microscope.
This is looking. This is devising. This is an insult. This is non-allusiveness. Allusion, illusion. Protrusion, contusion. This is desperate. Separate. Disparate. Apparent. This is desparent. This is disappearance.
She doesn’t want to do the “right” thing, just create a crisis. “Ask the hard questions.” And who was so careful here? And who gave such good advice? And who worked through tears watering the pity plants the plants of plot the plot of price the price of play. And who uses paints? And what’s the picture?
This is the long form. This is the long relax. This is the long white whine. Where is the invention? What is the distinction in the roots of literature?
I am sick.
Feel made sick by these studies.
I am—APPALLED. Are you walking? Are you walking on the trail? Audaciously? The words of men. The Buddha gotra means the buddha lineage, the Buddha garva means the buddha womb. Are you cranking? Are you listening to the music? Or are you playing it?
something that I can’t resolve with mind
she clings to analysis—my savior
she clings to—something? harmony
she’s wondering about her clothes
Play with the baby. The gratitude, the relaxation of no baby. The brutality of babies here at home. And how will they travel? And how do they know when to come home? And when to fold their little wings and settle down and when to roam? And what day must it be for questions to make arbitrary sense? And what day must it be to clear the question buildup, do some dusting, and serve sandwiches?
What am I doing? What, where, when, why, who. How. Mystery. The mystery of a white box, simple, cube, smooth sides, plastic.
Longing for the quiet of the bustling morning shops. In the small town, does anyone arise before 6? In the village, do you encounter people on the street? In the English village, naked people with monstrous faces? In the white north, chanting lunatics? In the humid south, alligators are successful, polar bears are not. Difficulties among the animal populations.
How are we to have a moment where I contact you? Evening.
I let you alone. Left.
How is this to be done? Radical.
Fingerly grasping.
Fingerly typing.
Finger lily.
I am unwilling at this point.
Unwilling on campus. Irrational fears. There is no healing balm for everything. So just get used to it. The most unpleasant thing of all is—heart dropping from fear. If I could avoid that automatic heart-drop from now on, I would. Do egrets have it? Flamingos, herons, other long birds? Birds with hearts that beat so fast and so unknown. Birds with eyelashes and bird dogs, slim.
Traveling moon, traveling rainbow. Traveling before and beyond the shield of cloud. I am shielded by cloud. Embrace cloud. Toy cloud, come to me. Toy cloud, swimming in the bathtub.
Did you have to swim?
Are sounds more interesting than devastations? Where does feeling lie, where’s the trapdoor? Wily, wily, wily, Mr. Coyote, let me in. Mr. Desert, let me bring my withered limbs. Just bleach my bones after you nibble on my skin. Irradiated or non-irradiated, genetically engineered in a most horrendous tribal fashion, I am here now, yet a remnant, a recessive gene, a regression sans vitality, a lack of luck, a loss. And here I am considering the withering of my death. Listening to this particular rain in its accumulation, the sump pump hums and gurgles, the train whistles, New York-bound.
And yesterday or last week I heard about a service, body washing. Washing the body. I want my body tenderly washed by my faith community. Nothing more beautiful than that. And here I chatted about inconsequences with co-workers and Margaret’s family, while her mother lay in state. I thought—at least there should be silence. We are so bereft. And Poland—what happens when you lose 3 million Jews?
No one’s here. Loud sound far away, a fog horn, some emergency of rain. Sam went out on a call about a flooded basement. Last night we ate at Pepe’s, the original tomato pie, no cheese. And hear the cheeping, the continuous chirping of suburban birds, and what is their mental capacity, and how do they stay warm? I want the angel of bird feathers and down to clothe me. I want the tendency to sing and fly. Their lives pass cheaply, no funerals at their deaths. No funerals, no funerals.
Stomachache. Did I say searching? Searching for a rhythm? Current, swimming against or with. Wet, water wet. Wet river, muddy. Feeling alone with it, in it. The embarrassment of my rivers series. No, I can’t. I long for the dry bed of lost rivers, Sarasvati. I have no hope. My standard life, a life that’s bled of hope. The philosophy that kills dreams and with them, disappointments, and what’s left—stomach stomach stomachache.
Just like meditating in a noisy room, this writing concentration exercise. Is it a strain, an effort, discipline? Does it leave a trace of joy? We’ll have to see—
The absolute arrogant daring of a teacher. The heartbreak of the curious student. The value of curiosity is discounted. Do not examine. Do not look in. I know what I think, I know what I feel. All is different, the lamb is a dog, the horse is a louse. House. The mercury, the mystery. Free write disjointed. What’s going to sell. Hyperaudience, overengineered society. Leading to exhaustion. Aspire to humility. What do you hear here? What do we hear here? In the giant auditorium filled with five poets. Oh my god. How much compassion do you need?
Questions overflow. Abounding, then melt away like fields of snow. Flocks moving wrestling through the heavens. Harbingers of arbeit. After all, it’s mesh, how much is mesh? I refuse at some point. Stop. Step.
Curse of chatting. A plague of chat. A plague of handwriting. Where is the generosity? Where is opening found? Where are those who claim wisdom and where is their wisdom? There is something that is Dukkha.
I am craving recognition again. Once I find the keys to greed, I see it everywhere. Tears over greed, not getting what I want? that is appalling. What would I do if I were a child?
Eyes open extra wide. Ears frantic over noise inside, frantic tracking—see her trying to compose
And what about the Virgin Gemshit? What about a nightgown when circumstances dare you to wear one?
Bye—
Who are your friends?
Who are your relatives?
Why can’t there be original artwork on this Starbucks’ walls?
Why is suburban life so oriented toward the dead?
Her face made up like a cadaver.
Melville’s objects, chapter title objects, what is a memoir? what is a long collocation with a masterpiece, what is an ars poetica?
I see a large format, almost transparent page, light tint of color (apricot, violet, pink, green) with a long private free write on it. Who cares if it’s inappropriate?
Eli has almost gotten to a Saturn Return (?)
Eclipse—astrology? What is it all about?
I am really struggling with a lot of questions—
Maybe this is the tail end of my tenure working I am certainly chafing under all the structure I felt Linda closing the lid down on my dear chaos Friday and I wanted to cry especially since there was no way to explain EXPLAIN—
pressures pressures decompression after Eli’s birthday party yesterday my eyes my eyes my moon
Traveling back and back, remembering oh yes, failing to see the point. What is this? The pale awareness leaks, someone who really wants to make it work, solve it through all sick thoughts, solve for x, for him, for her, solve through all, something to be made right.
A need to relax the mind, heal the interaction. She is a poet. He is dressed in second-hand clothes. She resists friendship, the contaminant of it. He is studying in the hot, in the cold. She is working on images not words. He is dreaming of the garden. She is assembling her questions into a marble monument, he is handling rotten fruit and leaves.
One of the first sessions, we are asked who writes as the “I” in their poems. No one says Yes but me. Should I defend this practice? Is it passé? Have I stepped in it?
Thenceforward continuously tainted by my I, which shows.
Does a dog have the Buddha-nature?
Gary.
What is he reading to the birthday girl?
Something I know: corduroy shirts
Something I’ve forgotten: spring
Scribbling. Doodling. The equivalent.
What’s good here?
What about New York December 2—if I am in good condition?
What about another planet, another world like the Little Prince’s? Obviously, it can be simple, a planet populated by nothing more than a plant.
If you can load garbage into trucks, is your injury so bad?
To elevate with such care, anything anything anything that’s happening.
I read it again and again and I still have no idea what he’s talking about. Just seems sad to me, but is that my idea or his?
I am late so late so finally late.
I am late to ask the question about mountains.
I am late to coax the answer from your stony lips.
Wrist issue.
Wrist misery.
Rising above, like a Buddhist, with no solid self.
Emotions rise up out of the unsolid self. Should I accept that living really belongs to my son now?
If I could find my way to a simpler conception. If I could find my way to the egg on the pedestal, if I could find my way to the walking rock. No table salt. No laughing pepper. No funny farm. No moldy vegetables. Rot in a garden. Where do we see that rot, the heavy mosses, the packed earth of the path? The beaten borders, crumbling boundaries? The edge trees fallen into the river, bouncing, bouncing, bouncing, in a death flirtation with the current. Where do we see that? Where do we see the planes? How far away are they? The red light blinks far away at night and there you are, another person. We forget that all of these poets are also persons, one after the other, exhibiting bodily functions. Yes you are a wizard of language. Yes you may set a bonfire. Yes you can turn and turn and turn. No you are not a clergy person. No none of this should be bandied about. No you are not for sale. No you have no memory of the mountain of marzipan you saw in Italy.
My cast smells, a faint rotten odor. A faint odor of rot. What’s rotting? Dried skin.
What is a good student?
Do I want to be a poetry student?
Jumpy. Jumpy. Leaf blowers until I can’t hear myself think. Renegotiating everything. What about a month of fragments? What about a month of Sundays? What about doing some hard laundry? What about turn off the critical frame of mind?
Not necessary.
Can a sculptor capture such a subtle shading of emotion? No. Maybe a painter can.
Now Gertrude Stein was she more focused? Did she probe her inner parts?
Absence of relaxation today—what? pressure? the house is a pressure.
Pressure—pleasure—pressure—pleasure—someone has to have the answers
why does it seem like my goal is to stump them?
Yes this was me. I am suspicious of me, what is it. Today spent time in completely anonymous pursuits that will never offer any recognition. I’m suspicious of my name. It doesn’t feel appropriate for fame. I wrestle expectations down and down and down again. Meanwhile, why not call it home? No this is not me. Me so what. I like the universal flux instead, brightened and tightened in a node that is my skin, my wrist. My stinging teeth, my statically electric hair. My shapeless brows.
Some envy. I enjoyed a short story that included a line about envy.
I enjoyed John Ashbery’s line “I write in the afternoon.” It hit
me with a great impact. Why? Because I don’t like afternoons. They are a negligible, hateful time, a chunk of time to get through. I am optimistic in the morning (usually) and pessimistic in the afternoon. There’s a wish that I could heal this. What would a good afternoon look like? Sunshine? Satisfaction? Rest?
I don’t like any hour of the day.
I’m writing because it allows me to coop myself up in a safe place. Do I feel threatened All-the-Time? Do I think if I weaken myself, I’ll go undetected, and not draw the attention of predators? I don’t know.
I will sit for a half hour this afternoon.
In silence.
Do eccentrics have this sadness? Do hermits? Do religious believers? I would like to know. But there are things I can’t change about myself, things I have to accept.
One of those is tears springing to my eyes. I am a frequent cryer at any little adversity.
It’s familiar to shame I felt as a child. It’s a familiar syndrome.
I heard about Immaculée praying the rosary to survive while shut up in a bathroom for weeks, hiding from murderers.
Something I want to know? Don’t know.
I said the rosary everyday for a year. Maybe it was a school year. My sophomore year. The cheesy pearlized paint flaked off my little white first communion beads. Once I lost the rosary—it fell from my pocket. That immediate pang of irrational loss— desperation. I retraced my steps and found it, on top of a desk in a classroom. I was ashamed that someone had found it on the floor, maybe even identified it as possibly mine, and decided to place it on the desk for the owner to more easily find. It meant another person was thinking about my things.
Is there a character in this story? No. Yes. No.
I have the anger about the network router. Something is working—why change it? I live with a curious technology monkey.
Writing in ruts.
I would like to decipher this sadness.
Does it relate to the personality? The philosophical outlook? the biochemistry? the inability to get on the network?