This is me relaxing
this is me not liking what I’m writing
this is me still looking for the answer
this is me with a vestigial sense of boredom
this is me with mountains petals mountains petals mountains
this is something like a bag of petals paper catching petals
this is vision you are bequeathed a vision and you grasp it whether it is sandwich bags or earth house hold
this is your gift your vision
this is how we do it
how and how and how

this one wants to write through everything
this one wants pigtails
this one wants to be the age I am
this one wants disabilities and aches and pains
this one believes in happiness
the floral happiness
the petalled extras
the extravagance
the vagaries
the vacuum vengeance
the cosmic curiosities
the wretched
there are unawakened
there are emotional storms

Ralph’s sadness and his brave front
how do you like your brave front now

may 29, 2007

Hot page cool breeze. Birds and juice. Death in the air, creeping. Suicidal Ideation. Nothing but pleasantries, a need to scan the lines. Rustle woods, the deer step, squirrel shuffle. Peculiar disconnectedness of individuals, editors, the edited smile, the censored speech. Pileup of phrases. The litter of prepositions, the punctuation of punctuation. Texture of voices and air conditioning noises. The bands and patterns of tension. Often I ask: what are you talking about? What does it mean, the transfer function?

We have a get-together. There is a relationship with the page. We have not shown that to you yet. More to be revealed. Discovery is suspect. Discovery process is pigheaded. Nerves are jazz. Music is the instrument. Tuning is resisted, this is discordance. This is the dance of discord. This is a sort of hyperbolic naming. This is a frustrated desire to name in an overnamed environment. This is afterwords. This is the wretchedness of the beach. This is me being me, and I won’t apologize. She says “Excuse me, everybody.” She says “Sorry.” She apologizes. Her voice is a snake and hers is a frayed carpet. A stalled carpet, crumpled in the infrastructure. A plan, a cornucopia. This is disaggregated. This is a collection. This is a hard time. This is opportunity management. This is a to-do list, a task list, a watch list. This is a water path. This is a box. This is a box of books. This is enjoying my handwriting. This is an addiction to form. This is a crusty rind of moldy sentences. This is an appearance. This is a disappearance. This is an over.

Underwood. Undermountain. Mr. Undertree. Mr. Underworld. Underfish, undersmoke, under the weather. This is a cloud. This is a tornado.

This is an ancient cache of figs. This is early agriculture. This is unclothed. This is pristine.

This is what for. I will give you what for. What for?

What is it? Questions. Answers. Paralysis. This is a point. This is a letter. This is a word. This is a story.

She is sad and discouraged, head resting in her hand. Head in hands. Objectionable behavior. Pressed into a diagram.

This is the geometry. This is the measurement of her. This is the slippery slope, the slide. This is the choppiness of commas. This is the desire to relax. This is hunting. Hunting for badgers. Hunting in puddles. Hunting under the microscope.

This is looking. This is devising. This is an insult. This is non-allusiveness. Allusion, illusion. Protrusion, contusion. This is desperate. Separate. Disparate. Apparent. This is desparent. This is disappearance.

may 17, 2007

This is a false mystery. This is a place. This is an aftermath. This is a play. This is a break. This is a logical diagram. This is handwriting. This is an effort. This is the chirping of a loud bird. This is a GPS. This is too bad. This is a memory. This is garbage. This is unprecedented. This is a portrait. This is a holocaust. This is a small village. This is incurable. This is this. That is that.

Choking sensation in the solar plexus area. Driving sensation I interpret as a need to be alone. Desire for code, the secret code that expresses how and what I understand. My children are not fat and both are bald. That’s over that’s enough. Embedding secret line breaks in the work. Choking sensation in the lower throat. Anger’s like a cavity in the chest.

Happiness. Counting the days, the lines the minutes and the hours. Yes, yes I can see the Buddha in your mind is angry. The smells. You can’t deny requirements for meditation, you can’t deny the leftovers, the bowls, the cups, the glasses, the hard litter of the kitchen. You can’t deny your stomachache, you silly westerner, when are you leaving? yesterday? Someone made a study of her punctuation. And so long arriverderci after all amen.

A flicker in my toe. The obnoxiousness of writing the seethrough sheer. The obnoxiousness of writing, the impulsiveness. The retardedness. Someone has to be you and you are IT. Someone has to name the fashionable names. Someone has to translate. Someone has to have the skills. Someone has to be unresponsive. Someone has to serve the lunch, someone has to struggle in the office with a flicker in their left third toe and a stabbing pricker in their pinky and that one is me.

Hello goddess, hello Godfrey. Here’s a secret: Karen Finley telling me the writing seemed like psychotic ranting, I should cut it back to one page. I felt like she had requested that I violate the “Form.”

I wish this could be warmer. Or more expressive somehow. I wish I wasn’t tempted by shit, and tales, and mentally ill. I wish I wasn’t haunted. And am I haunted after all? I feel like yes. I feel some burdens, but you know what—it’s no longer all that interesting.

I’m interested in the magical indigenous under the sound of rain.

Just to catalogue your options: details, details, sensory details, grace, the yen for grace, the absence, flaws or beauty or perfection, memories or dreams. Objects or abstractions. Happiest with objects, but they’re few and far between. And most are shabby. Mug of oolong tea—swampy, with no sweetener. The little aloe, fading in its shallow pot. The sensation of flaring from beside my eyes, a tiredness. There’s a mouse living in the kitchen.

No, not working. The sense of distance, I am not there. I am paddling in the mud, pawing, clawing, mud between my toes. I have itching on my scalp, dry mouth, stomachache. I have to do my taxes. Vague sensation in the nipple of my left breast. Vague irritation in my rectum. Slight sensation of a single hair tickling my right cheek. Maybe there or maybe not. A welling up of anger that none of my co-workers are sitting in a library trying to clear their head with writing on a Saturday. A story. A gurgle in my guts. A restlessness in my legs—why am I sitting still? Sensation in my left buttock/hip, a sensation around the back of my left ear. Mother speaks sharply to her child. Ticking, periodic sound of wind—or is it air conditioning?

Dirty wall in the ladies’ bathroom near the light switch. Childrens’ hands. Wondering if I should call my brother. Wondering too long is never good. Stomachache. The regular diary. The jotting. The tendency. Dependent origination. The chain. The wrangling. The striving and the letting go. The seeking a rhythm. Child’s voice behind me. Heater ticking. Draft consistent. Periodically there is a sound of wind.

april 14, 2007

Just three pages, all boiled down to just three pages. My granola stomachache, the dryness in my nose and mouth. Heater ticking next to me, cold air drafting from behind my shoulder. Grayness out the window, brownness out the window, sign saying “wetland preserve” names that small anonymous swampy spot. My relationship with suffering is changing, trying to change. Or is this all in my head anyway?

Soft—softness of her terms. The soundness of her structure. Building system like a structure of spun sugar, stained with drops of food coloring. Where do you want to work? On the page, on the screen? at some point, I let go of all that effort. That did fall away like husks. I envy Mister You, at his desk just prior to dawn, staring out the window at the frozen lawn, no meadow. Cardinals and bluebirds. Resistant to maternal comments, on the —Robins or the —Peepers. Like a metronome each spring drawing your attention. And yet I have to trace my way through boredom, I have to throw my mind a bone to chew on and make Money. It’s awfully hard to retain my concentration on this thin high music as though here I was up in the mountains in my hut.

The absolute arrogant daring of a teacher. The heartbreak of the curious student. The value of curiosity is discounted. Do not examine. Do not look in. I know what I think, I know what I feel. All is different, the lamb is a dog, the horse is a louse. House. The mercury, the mystery. Free write disjointed. What’s going to sell. Hyperaudience, overengineered society. Leading to exhaustion. Aspire to humility. What do you hear here? What do we hear here? In the giant auditorium filled with five poets. Oh my god. How much compassion do you need?

Questions overflow. Abounding, then melt away like fields of snow. Flocks moving wrestling through the heavens. Harbingers of arbeit. After all, it’s mesh, how much is mesh? I refuse at some point. Stop. Step.

march 30, 2007

Reflecting on the ephemeral life. OR
Reflect on the ephemeral life. But
we all resist giving instructions.
Parsed words. A need to flee. A need to be in the clouds for awhile. Poetry driven from internal states. Not always wise to trust the mind, the impulses. Not always wine. Not always time. Never overdue. Never blank. And do you want my autograph?

Entertaining writing requirements, forcing myself to sit down and put something on paper, I understand that urge to just fling up your hands and refuse to create, refuse to push a small pocket open in the fabric of unknowns. Quicker the better. Numbered paragraphs. Goose honking seems to be upset. And yes, I have a headache. The ache of loneliness and isolation—but is it really desire, the desire for recognition? here we go again. Maybe that goose is honking-honking for her mate.

Inconclusive, in conclusion.

Abusive, people under pressure.

Sometimes I can take it.

Other times I start to have a breakdown.

Sadly.

Sometimes—no, not sometimes. Why vagueness?

It’s better to be March.

It’s better to be rain and snow in March.

It’s better to be best in class.

2nd Prose Poem conference
Something I’m not writing anymore

the disintegration of
the diary

on purpose
the relaxed alignment
of destructive tendencies

and all those names
those names for things
far-reaching Adams
wrestle in the garden
double Adams
double Garden
and there is no Eve
on daylight savings time

something made of ill repute
that catches up with you

Reading today about a Stone Coast MFA and a Prose Poetry Conference #2 in Walpole, but it’s August 3-5 and that’s Sam’s birthday, plus $650. Still—I want to go. But really I am flailing, floundering, utterly without direction—just feel a hole inside.

Hello hole who are you I mean how are you? Drastic, raggedy, misused? Absolutely.

I am really struggling with a lot of questions—

  • WRITING (I crave my eerie freedom)
  • Relationship—how much is too much
  • Dharma friendships (Batchelor)
  • The coffee doesn’t taste like coffee
  • America
    • and where to go from here

Maybe this is the tail end of my tenure working I am certainly chafing under all the structure I felt Linda closing the lid down on my dear chaos Friday and I wanted to cry especially since there was no way to explain EXPLAIN—

pressures pressures decompression after Eli’s birthday party yesterday my eyes my eyes my moon

Visualize. Visualizing. Visualizing Kilimanjaro. Visualizing the bright shreds of sun carved off Vivasat. Visualizing nails in the floor. I took a washcloth, wiped the dirt fingerprints off the bedroom door. I arrested qarrtsiluni. Exacerbated. You can tell there is no channel carving here. You can tell the bird is disturbed and fluttering on the nest. Puffed up down against the cold. Chilly nest, someone might have to fly again. Taking care, how dare, not fair. She puzzles, then allows. A dream of behaving differently. Nice things for others, not to get found out.