At least there will be no babies, then there was.
At least there will be no episodes, then there was.
At least there will be no heart attacks, and then there was.
At least there will be no ripple effects, and then there was.
At least there will be no conversations.
At least there will be no love, or no love lost.
Yes, no love will be lost and none to find in heaven’s first place,
seat at heaven’s gate,
dessert on trays and
inaccessible.

What is it? We don’t have it, something we don’t have.

The mystery the mercury the moistery the mastery. The wiggle room,

the where we ought to be. The shame of oughts the sin of noughts,

of nougats piled high and sickly sweet.

What are you, sweet or sweat? The giggle room, the pickle room,

the ambidextrous grace. Kids cannot find you,

longing longing for the kindness of your mercury.

Kids cannot find you, quicksilver. Not find nor chase you.

Not aligned.

And he is not aligned. Just at cross purposes,

and cross as well. Overarching cross and crass and

cress, the water crescents of belief. The ripple room.

Semantics, syntax. The sticky aftermath of wine,

here I am, table, table, table, table, baby.

this one wants to write through everything
this one wants pigtails
this one wants to be the age I am
this one wants disabilities and aches and pains
this one believes in happiness
the floral happiness
the petalled extras
the extravagance
the vagaries
the vacuum vengeance
the cosmic curiosities
the wretched
there are unawakened
there are emotional storms

Ralph’s sadness and his brave front
how do you like your brave front now

It seems like a recurrent theme.
It themes like a recurrent seem.
It dreams like a recurrent cream.
It memes like a recurrent fream. I mean team.
The team is a recurrent dream I mean.

The Efficiency. The Effectiveness. Your review and my review of your review and my interim of your interim and intermediate does not mean interim and I would never not step forward to clear up that mistake.

Try to be direct, try to direct, the team, the leadership. The common, the committee, the approach, the aftermath. Amazed. I am amazed in grass in weeds in yard work. The root, the colors, the shapes, the tiny “M”, the way things are happening. A tiny phone in a tiny hole. Rhythmic remarks. The tiny mags, the page turners.

may 26, 2007

This is for me. I am you. I know you. Inherit you, absorb you, bless you, blow you, notice you, bill you, make you, shake you, take you. Take two, textures. Take two, territories. Take two, talk to, talk to you, yes I am having a nightmare I am having a disability.

What is it? Questions. Answers. Paralysis. This is a point. This is a letter. This is a word. This is a story.

She is sad and discouraged, head resting in her hand. Head in hands. Objectionable behavior. Pressed into a diagram.

This is the geometry. This is the measurement of her. This is the slippery slope, the slide. This is the choppiness of commas. This is the desire to relax. This is hunting. Hunting for badgers. Hunting in puddles. Hunting under the microscope.

This is looking. This is devising. This is an insult. This is non-allusiveness. Allusion, illusion. Protrusion, contusion. This is desperate. Separate. Disparate. Apparent. This is desparent. This is disappearance.

may 15, 2007

Lost luxuries, lost goodbyes. Lost opportunity villages, lost forever. Lost and found. Once was lost. Now am found. Find a lot, lose a lot. Remember. The memory of forever. The memory of Rembrandt. The awfulness. The offing. The offertory. The the the How repetitive. Mind is cramped, contracted. How to land. Wanting to land on an object. Wanting to observe theory. Observe theory. Observing theory. Notheory. Nothery. Nothing.

The Amazon River. The big river, the small people. Adaptation.

She doesn’t want to do the “right” thing, just create a crisis. “Ask the hard questions.” And who was so careful here? And who gave such good advice? And who worked through tears watering the pity plants the plants of plot the plot of price the price of play. And who uses paints? And what’s the picture?

Let us diagnose it. But there is no diagnosis. Off my high horse.
Let the wind blow me off my high horse
let the derogatory blow me into yesterditch
let the white appalling bloom in my backyard
let the Geshe undertake me
let the mercury be done and married
let the soon be sooner and the heart be hearty
hartfelt heart fool fool hearty—
where did I see that?

Hello goddess, hello Godfrey. Here’s a secret: Karen Finley telling me the writing seemed like psychotic ranting, I should cut it back to one page. I felt like she had requested that I violate the “Form.”

Play Play Play Platypus
Par Par Par Parmigiana
Puk Puk Puk Pukaluk
Poke Poke Poke poke as a joke
Ha and you don’t have to like it.
Wash. Washington.
Wish. Wishington.
Harp. Harpington. The Harpy. How ground brown cow.

april 29, 2007

limited expression limited by cloudiness and long fatigue. Unjustified by Sunday’s simple misery. So long, let go,
long song, still flow. Say so, how know, myrrh go, far low. Fairly groveling on the mat, not willing to hold still. The atmosphere changes, the mind follows. The feelings follow, and the feeling tones, a flock of sheep with perfect teeth.
I see your teeth, I see your sheep, your shape, your perfect hair. How adulterous, how adulary, how omniferous. Iron shapes the seedlings, tender iron flowing in their veins, their tremulous simple veins. Hard to know, hard attack,
mé l’art.

New moon. New moon draws out subtle energies. New moon. This is the new moon night. I am supposed to tune in to that energy. oh your energy. Instead I’m resting in the flawed field, the field of fallow/fallen, the failed field, the coordinates are my face. I can’t describe this. I am alleluia.
I am eclipse. I am an-atta. I am not even approaching Sati. You have to watch out for me in my current state.

april 17, 2007

The coldness of this spring to go out with the trash and breathe a moment in the cold air. To know yourself. I can’t really tell what’s going on. I feel an awful lot like a narrator. I have no story, just to let go of that tail.

The long tail, prehensile.

Happy tail, silly tail. Tail of my dreams.

And also—toil. And toile.

Old fashioned fabrics, what has happened to you? In Girl Scouts, I made a book of fabric swatches trying to learn their names like “Dotted Swiss.”

Restful inconsistencies
emerald generalities
tawdry perpetuities
garbanzo beans and
phony etymologies
a bunch of garbage

Failure rate;
how to increase it

Shake it out the funny duck
the incompetent
with hair of feathers

Fragile—something
she cannot avoid

Secret secret sad sad secret
secretions

This is not worthwhile, is it?

Meanwhile, it’s always someone’s birthday, I would like to race away so far and demand a year in cloister only one outfit, one bowl, one word—sometimes the complexity of extroversion slays me—this is a tired story, isn’t it? Am I busy self-making? Did I have a moment when the rug was pulled out from under someone who I thought was so familiar? Ski jacket, ski jacket, ski jacket, sunglasses—how it is in here. I am not in Sunnyside. And Poetry is Impossible to Learn. (So I Say so I say so say so say) Oh say so, so you say.

Visualize. Visualizing. Visualizing Kilimanjaro. Visualizing the bright shreds of sun carved off Vivasat. Visualizing nails in the floor. I took a washcloth, wiped the dirt fingerprints off the bedroom door. I arrested qarrtsiluni. Exacerbated. You can tell there is no channel carving here. You can tell the bird is disturbed and fluttering on the nest. Puffed up down against the cold. Chilly nest, someone might have to fly again. Taking care, how dare, not fair. She puzzles, then allows. A dream of behaving differently. Nice things for others, not to get found out.

I am tremendously interested in going into the mountains. The place where I will sit down to dinner with Arabs, my combed hair glistening. The charred fox on the platter, mistaken for dog, shot through the heart. The chorus of cousins solemnly uninvited, but still in attendance. The rugged rapscallions, the host with his lions, the pair eating onions, the service of truncheons. The bat is a velvet mask.

I can’t scratch my left eye. I can’t applaud. There’s no use applauding now is there. I’ve been in two rooms where applause has been called for, and yet—unable to applaud. No applause necessary. Applaud with aplomb. The plaudits, the maldits, the well-dits. How-do-you-do-dits. This is what we have to say.

The positions, the choreography of your gestures does not relate to the metrical feet, and though it should. There are metrical feet hiding in the prose, wearing veils. There are hard hearts, hard- hearted orb that rules the night. I am lost. Contemporary. The past. You can ask, you can ask to attach, you can task to attach your trash. There is nothing else to say.